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Monday
01Feb2010

Reviewing Older Images

Over the last couple of days I've been reviewing images from several years ago. It's partly in an attempt to get to the darkroom and make some contact prints.  But it's also to look and see what I might have missed when I first viewed the images. I think there is some stuff there I'll like.

This is one of them.

Central Park, 2004It was taken on a trip to New York in 2004. But when I first saw this image I didn't like it much. I do now. Why that is I don't know, but I think it's because it reflects the way I've always enjoyed making images. 

My current efforts are struggles; with myself, with the camera, with the subject matter.  When I'm just out walking, as I was on this particular day, it seems to come a bit more naturally with me.  I see something and I make an image. I've gotten away from that and find myself too worried about technical details I shouldn't be thinking about at all.

You might ask why the world needs another tree image.  My answer would be that it probably doesn't. But I do and that's simply enough for me. I make images largely for myself because I have to. That seems to be a common theme with the photographers I've spoken with lately and one I've gotten away from because life so easily gets in the way.

We'll see where this review leads me but I suspect I've found a better way, at least for me, in approaching the work and making images I'm much more happy with.

Thursday
28Jan2010

Tommy Kane

At times, I reluctantly view myself as an artist. I do use the word loosely but on occasion, if I get something I like and someone else does as well, I'll succumb and think I have some talent. And then I run across a real artist and I wonder what in the world I was thinking.

I came upon Tommy Kane's blog by chance but I don't remember how. Take a look at his work and read through the blog a bit.  It's quite enjoyable.

Indiana Steeple - October, 2009

This is another image from the trip to Kentucky late last year.  I'm headed back in a few weeks and plan to spend some time making images again.  I think I have a better idea of what I'm looking for this time.  For a variety of reasons only the Leica and Yashica Mat will be making the trip. 

Monday
25Jan2010

Not So Lately

A Photographer's Desk - 2010This January, as is typical of my usual January month, has been a bit crazy.  There hasn't been much time to get out and make images.  But I did try some over the weekend.  I developed them on the same day just to get in tune a bit and it's a good thing.  The images were crap and the development wasn't much better.  For some reason the development gremlins struck and they did so in a big way.  I'll save the gory details but I'm striking it up to not getting out enough to prevent them.  What's a guy to do?

I did see this over at the BJP Blog.  It ties into my previous post about photographers and the insistence that somehow we all need to be checked up on as we put a camera up to our eye.

I'm hopeful that I'll have more images to come in the near future.  Maybe contact sheets!

Thursday
21Jan2010

Lately

Admiral's Club - John Wayne Airport, Jan. 2009I'm going through sheets of negatives in an attempt to get to a darkroom and print some contact sheets.  I really miss the ability to see all of my images at once.  I've tried to scan the sheets and make a digital contact sheet, but the results have been pretty pathetic, and I don't think I'd care for them much anyway.

For Christmas I received the Jim Marshall: Proof book which really was the push that's driving this a bit.  Dan Milnor is providing some inspiration as well.  But January has been busy and I haven't made it to the darkroom yet.

As I've been gathering up the negatives I came across this image from last year.  I didn't scan it at the time I scanned the other inauguration images but it's grown on me.  It's another reason I want to print up contact sheets.  I really want to review images from a couple of years ago.  Have I improved? Are there images there I didn't notice and has the passing time made them more appealing?  I don't know but I'd like to.  So it's off to the darkroom in the next couple of weeks and see what I see.

Friday
01Jan2010

Happy New Year

In Remembrance - Larene A. Pace, February 19, 1928 ~ June 22, 2009Happy 2010! This has been a great year but it was also bittersweet. I’ve been fortunate enough to be surrounded by a wonderful family and great friends.  We’ve gotten through some of the toughest times this year together and will continue to do so.

I traveled over 150,000 miles and was able to visit China, Japan and the United Kingdom. I met a lot of interesting people along the way and I had a chance to photograph some of them. I think I made some of my favorite images this year, and I was fortunate enough to have met several photographers that have been helpful in making my images better and I’m grateful.  I'm hopeful this will show in my images in the coming year.

Going into 2010 I remain optimistic about the world we live in and where it’s going. I’ve got a great wife and daughter, a loving family back in Kentucky as well as here in California. For all of you, for my friends and acquaintances, I wish you a Happy New Year.

Saturday
26Dec2009

People Images

Venice Beach, December, 2009I'm not much of a street image maker. It's not my forte and I usually find these images lacking interest.  I'm much more interested in the people included in the images and the story behind them. For me, the image with words is much more compelling, but the image has to stop me first. Once it does I want to know the story. And to do that the photographer must be engaged in some way.  

It's difficult for me to engage and that usually shows in images where I attempt any type of street shooting. This was an image made after I had stopped and spoken with this gentleman. He had two dogs with him but I had only noticed the one he had on a leash. I had missed this dog, tucked into his shirt to keep warm, until we started talking to one another.

What drew me to the guy was his dog who would stop when approached, roll over on his back, and start wagging his tail with such energy his entire body moved sideways over the ground. He was known as "The Love Dog" and this was this guys shtick. Quiet funny actually.

But as we talked I noticed the other dog and wanted to get an image of the obvious connection. Just as I was framing it up, the cop car pulled in behind him.  I thought it would ruin the image but I made it anyway as more people were approaching "The Love Dog" and my time was rapidly closing with the two of them. 

I like this image because of what I did and how I got out of my comfort zone. The conversation with this gentleman was fun as well and provides the story, at least for me, behind the image. Wether its' good or not I'll leave up to others to decide.  But I do think it will prompt me to try this more often.  I need something close to home to document. Who knows, maybe I can turn something like this into a body of work over a period of time.  We'll see, but the journey will be much more enjoyable now that the hardest first step is out of the way.